100 Years of Leica Photography Book Review, The new Leica Summilux F1.4 ASPH, Focus down to 40cm, Leica 28mm F1.4 ASPH Summilux Lens Review, Collectors Edition? Fuji 160 NS in 120, if I remember correctly. I always rate it at 400. B&H is showing the film has been discontinued. https://www.flickr.com/photos/danjamesphotography/10626918145. As of December, 2021, Fujifilm might have started sourcing an existing film from Kodak and labeling it Fujicolor 200 (article here ). Contrast and saturation are higher on Superia 400 than Portra 400. This Summer I went around to all the local Wal-Marts and bought whatever they had stocked in Fuji 35mm and Im glad I did because I was able to shoot a bit more of the stuff but I didnt know at that time that Fuji had shut down their manufacturing. Im sort of resisting for two reasons, 1. I happen to love color film 400 rated down to ISO 200.

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The idea of routinely over exposing negative films, is a bad one. Everything we shot was shot at box speed, 400 ISO, with varying apertures and shutter speeds on a Canon F1 paired with a Minolta 28mm f2.8. And seeing what emotions can be brought out in those who see my photos. Important to new shooters is the films exposure latitude. If I didn't already have a huge suppy on hand I would buy more of the CVS film. 183. When overexposed by two or three stops, the curves don't yet cross, but they do compress heavily. It might be worth buying a whole bunch of the Superior and stick it in the fridge as I wouldnt mind betting that Fuji will cut this emulsion in the not too distant future!!!

She grew up there; it was fun to explore her hometown. WebS 200 E Helper, Utah; People who live on S 200 E in Helper, Utah. It does struggle when it lacks light, though. Dont worry about over exposing your color negative film by 1 stop. And Superia 100 So much extra, that it is cheaper for me to buy provia 400 than to push provia 100 (the 400 ISO is about 4.00/roll more expensive to buy that the 100 ISO).

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So, before you decide to push/pull process film, you might want to check on the price of doing so.

. Shadows go deep quickly - lots of "pop" for scenics. My eyes went to the clock. The light sources often show red halation effects no need for Cinestill here. This place was made for black-and-white. I am going to try this film myself. Fujicolor 200 could be the best bargain in film today. I don't use Olympus, mainly Canon 35mm. Nice job! For those looking for quality film with superb color reproduction, we offer the FUJIFILM brand. By purchasing anything using these links, Casual Photophile may receive a small commission at no additional charge to you. Cellulose Triacetate. When we stepped onto the bridge, this ship was still a kilometer away. Expired Fujicolor Superia X-Tra 400 shot at 200 asa. You should have much more time on your hands as a single exposure can easily consume several minutes.if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-medrectangle-4','ezslot_7',181,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-medrectangle-4-0'); After the sun had set, the frame counter of my camera read 25. Its the peoples film, an emulsion that ensures that all the joys of analog shooting are available to people on even the tightest budgets.

I agree with Randall completely, Color looks great over-exposed.
, However, don't worry about too much if you want your lab to push/pull, check of course, but Pro labs generally charge $1 per roll, per stop.

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Go with the Superia 400 by all means. The rule was better over exposed then under. Its also quite commonly held in real shops (when/if they ever open again) which gives one the rare opportunities for spontaneous choice. If that is true, then - yes, it is definitely normal for Superia 400 to be more saturated than Portra 400. As far as finding out if overexposing it will help - shoot half a roll at 400, and the other half at 200. See which half looks better. No longer a newbie, moving up! It is not uncommon to use a personal EI rather than the box speed. This post may contain affiliate links. Yes. Character of days past still within memory of most people. To a large extent, curiosity drove me: Which other looks can I achieve with different film stocks? Hey! Guess there are a lot of folks around stocking up Fuji products. And for that, I really like it! I love the Kodak professional films, but in the consumer price bracket C200 has been a favourite. This can be really flattering especially in high keyed, bridal photography type scenarios.

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not much point to arguing that a high contrast, over-saturated consumer C41 material like Superia 400 somehow tops a pro Fuji or Kodak film, especially for portraiture.

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I didn't say it did. Idont pretend to know what that means (and it sounds like meaningless marketing jargon to me), but whatever this stuff is, it helps create images withremarkably fine grain for such a high-speed film. And, probably like many of you guys, could easily deal with it if Portra was the only color film available. Great article! Find out more about 35mmc here. Number of Rolls. To some, thats enough to pass it over in favor of something with the word Professional in the name. Grass, leaves, plants on the fields they all appeared way too green to my taste. Before closing the film door, I stopped to inspect the film. Advanced: Daily Deals; Brand Outlet; Help & Contact Fujifilm Superia 400 ISO Camera Films, Fujifilm Superia 1600 ISO Camera Films, Fujifilm 200 ISO Superia 35 mm/135 Print Film Format Camera Films, But dont let its average appearance fool you; Superia is a fantastic film that pushes the boundaries of what a consumer-grade emulsion can do. A specific Glad you enjoy both the article and the film Merlin! Exposure time was roughly 10 minutes at f/8. It was fun to look back through the best of my work on this film. Fuji C200 was a favorite from the start of my current analog camera journey it was cheap, it was at Walmart, it looks great. The significant difference between this, and Fuji 400H (NPH) for example, is what happens when overexposed by one, two, and three stops. This combination of fine grain and high speedresults in a film that, when fitted behindaquality lens, is capable of making photos that are tack-sharp andloaded with analog character. Now, for about a year I've been using an Olympus om40 that when shooting Portra 400 is perfect but when shooting Superia 400 (which I shoot more of because it's easier to get and cheaper), and especially in the last couple of rolls, the results are not to my liking, everything appears a lot more saturated. The two 400 speed color print films I have been using most in 35mm size are Superia X-Tra 400 and CVS. Hi Steve, thanks! Close Fuji Superia Premium 400 shot at EI 400. Yashica FX-3 + ML 50mm F/2.0. I really really want to like Superia 400, on paper it sounds such an ideal film, and shots like the one of the dog above are absolutely lovely. I awokeuncommonly early one morning struck by that where am I? feeling thats so oftenthe result of a particularly long andrestlessnight. Enter your email address to subscribe to this blog and receive notifications of new posts by email. All that being said, Superias greatest strength and chief asset to new analog photogs lies in its wide availability and low price. As far as finding out if overexposing it will help - shoot half a I havent tried Portra in either 160 or 400 versions. All photographs and text appearing on 35mmc.com are the exclusive property of the named author (except where stated otherwise) and are protected by copyright. Only when I saw the scan I realized, I had all the basic colors in this frame: red, green, blue and yellow. The raucous noise of a high school marching band and the garish threadsof the band uniforms made for quite the spectacle, and for me it was a spectacleworth committing to film. This lets you adjust exposure so that the image is recorded just the way you want it on the film.

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Superia 400, and portrait films as a group, has huge overexposure latitude. I pushed my way to the front of the crowd and snapped only one picture of the scene, trusting my FGs program mode to pull through. (Free 3-day trial)Subscribe here. I remembered thatI needed to set that ISO thing on the camera to 400, and though I had know idea what the purpose of that dial was, I turned it anyway and then promptly forgot about it. So who knows! But he found that 200 had about 1 stop more latitude of underexposure, and 400 had about 1 stop more overexposure. Save my name, email, and website in this browser for the next time I comment. To get Down the Road in your inbox or reader six days a week, click here to subscribe!To get my newsletter with previews of what Im working on, click here to subscribe! Superia 200, and even more so the supposedly budget FujiColor C200 have given me far better, and far more consistent results than Superia 400. Save my name, email, and website in this browser for the next time I comment. On a sunny day in late November, we met at an industrial inland harbor in Hannover. If I dont have access to Fuji 400h medium format (find on Amazon), I opt for Fuji Superia 400 (find on Amazon). I cant tell whether its my favorite on its merits, or because Ive shot so much of it and am used to how it looks! I have also noticed in some overcast light it gets under exposed easily. But I like the look of it, and have just ordered a few more rolls to try it again. Its true, a more scientific way to decide which films are your favourite are to do direct comparison tests but I just cant help feeling that its a waste of film. I use it a lot for travel photography. But there is also a certain sharpness there WebFujifilm Fujicolor 200 Color Negative Film, 35mm Roll Film, 36 Exposures, 3 Pack . | The Resurrected Camera. Shoot all your scenics at 1 stop over exposure, and make sure the sky is not in your finder when you take your meter reading, unless it is a pure blue sky. They prove my point about how much you can do with this film, https://www.lomography.com/films/871911076-fuji-superia-400-35mm/photos. Maybe its because the vegetation reveals a totally different color palette in May than in November. And for the price, compared to other films? WebFuji Superia Premium 400 (Japan) Price Range: Mid-high range, ~S$12/roll somewhere near the beach, shot overexposed +1 (ISO 200). When I shoot the 400 speed CVS film I usually rate it at 320 and I rate the 200 film at 200. Leica Noctilux-M 50mm F1.2, Why you should start shooting with the Sunny 16 Rule, A Neato Printer Printing Photos at home with the Epson ET-2650, Creative Pros are driving change, but we dont like it. This is one of Mels BTS shots from our afternoon in the studio in Bushwick recording the interview portion. 35mmc is a blog authored, edited and published by Hamish Gill featuring daily articles submitted by readers. Also same for Gold 200 vs say Paortra 400VC. Now I want to be completely up front, we had a pair of Arri 300 Tungsten lights that I was using to light this. Hey Jessica, great article. 3ba. Your images demonstrate how versatile this film is . As we increase the exposure times we see a shift that pushes dark tones closer to the highlights, tightening the curve, rendering skin brighter and making contrast from facial shadows less visible. Forgot to tell her that it was set at ISO 3200. The trade-off for this being a minordrop in overallsharpness. But this film is plenty capable of getting good detail. In this article, Josh makes the case for a fantastic film from Fujifilm- Superia 400, and shows how this film propelled him through the early days of his photographic journey. Stobie pole street photography. Luckily, for thosewho prefer the sunshine, Superia has loads of latitude for over-exposure. The best ISO400 film Ive tried is Lomographys 400CN, but even that isnt stunning. Realistically, there werent many options available to a ninth grader on a tight budget. Sometimes a little too pink in the skin tones though, someting you would only notice in a close up of someones face, not a scenic composition with people in it. In my experience, over-exposure latitude reaches even further;three, or even four stops over-exposed and were still making beautifulimages. Oops, wrong link on the last one! It used to be offered in single packs and in 24-exposure rolls, too, but Fujifilm cut those a few years ago. As you can see on the sunset portraits, I metered for the whole scene most likely. Personally, I'd load up on Superia 400 for landscapes/scenics, with a few rolls of 800 for low light shots, and maybe a roll or 2 of the 200 for portraits. But which film is best for a beginner? [] https://blog.jimgrey.net/2022/01/24/shooting-fujifilm-fujicolor-200/ []. I couldnt afford anything else. Superia has the unique ability to injectvibrancy into everyday scenes, a striking vibrancy that never overstays its welcome. I seriously cant get enough of these Superia greens. I forget the exact numbers. Ive made some of my most satisfying images on Fujicolor 200. Thanks. If the meter reads a lot time, I take reciprocity failure into account, according to the manufacturers data sheet. Its a good film. If its a rather dark scene with no good spot for metering, I expose by feel normally, the more the better. However, I recently decided to test out some alternatives. The Superia exhibits a rather moderate reciprocity failure. There are 57 people who live on S 200 E in Helper, Utah that are If most of your shots will be facial shots, go with the 200, otherwise, stick with the flexibility 400 speed gives you.
, Here are the links to Fuji's specs for both films. Ill try a couple of rolls and see how it goes. At the time, a six-pack of Superia cost aroundnine bucks at the local Costco, makingit the cheapest film out there by far, and considering how judicious I was with my shutter, I could stretch that six-pack of Superia to two, maybe three months. The gorgeous tones and stunning saturation are traits we most often find in pricier, professional film, and its even more stunning when we consider the low cost of Superia. I have also used just the plain Fuji 200 along with the Ekta 100 and the difference is barely noticeable. I stuffed the film into my pocketand started out the door. But that film is hard to come by (its officially only available in Japan) and expensive when you do find it. Here's a splash - there's a splash - everywhere's another splash. As you can tell, the yellows and magenta come as a pair. Consider the brick building in the background as a real hidden gem. To find the answer to this question demands that we ask and answer other questions; what type of photography do you want to shoot, in what lighting conditions, and with what camera? I shot the film in the countryside in spring. My books still sat on their shelves, my recently acquired Fender Jazz bass still rested on its stand, and my beloved new Nikon still sat on the desk. But to suggest metering the shadows, and then adding 2-3 stops of exposure will make a mess.

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Sorry but there's not much point to arguing that a high contrast, over-saturated consumer C41 material like Superia 400 somehow tops a pro Fuji or Kodak film, especially for portraiture. Even for myself, it still looks great most of the time for people pics. 61 Locust St, Helper, UT 84526. I cant get over how beautiful these creamy tungsten drenched highlights look paired with the warm green shadows. I have not used much Superia 200. 1ba. I looked around the room for assurance. Such always remind me of these Spot the difference!-kind of riddles I used to love as a child. Skip to main content. Underexposure, however, is less forgiving. What could it be? thanks. Its meant to perform acceptably after having sat on a store shelf for who knows how long. They stay open. One last photo, this time from a Superia roll we had leftover, I shot this from a side window in the apartment I rented for two weeks this past November in Madrid, Spain. Heres the shot: https://www.flickr.com/photos/the36seconds/18932980982/lightbox. There are two ways to experience 35mmc without the adverts: Paid Subscription - 2.99 per month and youll never see an advert again! As I had wisely loaded the film in complete darkness , I was able to obtain 40 frames from the single roll. But for the sake of this post, I wanted my images to stand for themselves. Just rate it a 400-500.

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If funds are a concern, what not simply rate the 400 film as 200 and shoot as ISO 200 and give your lab the instructions. Fujifilm Superia 400 Overview:Fujifilm Superia 400 is a highly versatile and easy to use 35mm film. A password reset link will be sent to you by email. I use Kodak Portra films and Fuji Pro 400H. Try it, and you'll see that 400H has less tonal compression going up this progression.

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Practically, this means Superia 400 is high contrast when used as rated. 125 lines/mm (At Contrast 1000:1) Overview. They had such beautiful plants at this studio along with a plant wall that we actually recorded the interview in front of. Ive just not had very good results with it personally, found it pretty inconsistent, and even the best shots havent wowed me. And I actually dont have much experience with Superia 1600, but I sure will now. We are a supportive and encouraging community for film photographers to learn, share, & grow. I plunged into thelukewarm air of Panorama City, California, a colorless and dreary neighborhoodin the city of Los Angeles. Even 2 stops over and you will be fine but no additional improvements at this point. Fujifilm Superia X-tra 400 ISO Camera Films, Superia X-tra Camera Films, Superia X-tra Colour Camera Films, Warehouses, factories, scrap yards but no people strolling around (except us). Their house brand (Fuji) film is on sale again. Maybe Ill give Superia 400 one more try and see if I can do better! $420,000. Hi Rock, I cant live without these black borders anymore. Your email address will not be published. Click to share on Facebook (Opens in new window), Click to share on Twitter (Opens in new window), She didn't notice and shot the roll at that setting.
The lab I bring my film to can push or pull film on request. Is Kodak Portra a Film that is too perfect? Color negative film in 35mm format. Everything we shot was shot at box speed, 400 ISO, with varying apertures and shutter speeds on a Canon F1 paired with a Minolta 28mm f2.8. Web2 x box containing 2 pcs Fujifilm Superia 200. 80 Fujifilm Superia X-Tra 400 Alex Luyckx | Blog, Nikonos 15mm f/2.8 Lens Mini Review - Shooting Fuji Velvia & Provia 100 - by Simon Foale, NEWS: Ilford Multigrade RC Portfolio - Product Announcement, Camera, Lens, Film and Peripheral Kit Reviews. Thanks, Huss! Colors are saturated without looking garish, and blues and greens render beautifully. For night shots, a little bit slow I admit. However, in film photography related posts, I lately find comparison shots more and more boring. Just one word of caution though you will see lots of ugly green tinted or crazy colored image results from cross processed film shots. It was Fuji Superia X-TRA 400 and was shot in a Vivitar Ultrawide and Slim clone. If you still have the old stuff for sale in your area buy it up now. On Amazon, a four-pack of twenty-four exposure rolls is available for less than a couple drinks at Starbucks, and individualtwenty-four exposure rolls at B&H Photo sell for the cost ofan espresso. This of course will over expose the highlights by several stops. During our third quarter break, while the rest of the band ran off to stuff their faces with nachos and hot dogs, I pulled out my little Nikon FG and lingeredto watch the drumline perform for the crowd. The colors are beautiful and vibrant, and some of my favorite images are done on this film. The superia 800 speed film I find to be grainy. It has a very wide exposure latitude so that even the simplest old camera will return usable images. After reading this piece, I cant wait to see the results! You can see they both have the same grain size of 4. This site uses Akismet to reduce spam. The exposure latitude of Ultramax is about the same as Superia, but I find that it handles warmer colors a little bit better than Superia does. I would say in a way, Ektar is a tad more detailed and has potential for more open shadows, but there is just a certain crispness and nostalgic look to Superia that I like. But, until you become highly tuned to nuances in your pictures, the 400 will look great for portraits too. Use it this way to reach for details in the shadows.

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A few years ago, somebody did an analysis of Agfa Vista films, and found that Vista 200 and 400 had excellent latitude in both directions. Or sharpness, vignetting, bokeh Dont get me wrong, comparisons are really helpful. The colors were vibrant and punchy, but not overbearing, and those little dots, the texture I knew they werent pixels, but what were they? Hover to zoom. Find one you like and use it constantly until you know it like the back of your hand and how it will react to light. Eyes Wide Open! For the trip, I brought my Leicaflex SL2 in combination with not one but two 35mm lenses (the f/2 Summicron as well as the PC Curtagon shift lens). It may not display this or other websites correctly. Click to enlarge. I shot a bunch of Superia 200 at box speed and it was all good. Thanks! In bad light, the look and feel of the film and how it handles certain colours comes alive. Agfa used to recommend this for all their films, and I think Kodak used to recommend 1 stop over exposure on the fil exposure tables they used to print on their film boxes. Im a Leica Street photographer. Its a thoroughly modern color film that was formulated to handle almost any situation, and as importantly, any level of shooter. I just knew Id never seen them in an image before, and they looked good.if(typeof ez_ad_units != 'undefined'){ez_ad_units.push([[300,250],'casualphotophile_com-banner-1','ezslot_1',115,'0','0'])};__ez_fad_position('div-gpt-ad-casualphotophile_com-banner-1-0'); It was from those specialimages that I really came to know the power of film as a photographic medium. As exposure times increase we actually see a further diminishing of the already fine film grain and slight increase in shadow detail. They offer to scan the whole frame, including black edges. WebMinolta XG-1 | 50mm | Fuji Superia 200. comment sorted by Best Top New Controversial Q&A Add a Comment . The RMS rating of 4 means Root Mean Square Size, or, average grain size. I am pleased to hear that you have a similar opinion. Look forward to seeing your Portra shots. I have overexposed by one stop and have not told the lad to do anything as far as push/pull and the photos came out with no problems. The whole point of film is to just experiment and have fun. Sojourn Realty. Superia 200 is optimal for portraiture, Superia 400 for scenic/travel/vacation shots. Now that Ive heaped praise onto this inexpensive color film, Im going to tell you that I prefer this films slightly slower brother, Fujicolor 100! This seems to be the biggest criticism of this film. Great website btw, essential reading. Photographers listen too much to what others are doing instead of just trying different things. Join. Hi Michael, thank you for your feedback. At dusk and in low indoor light, it will start to do this. Enter your search keyword. And Superia 100 is absolutely glorious film, and in my experience a different class to Superia 400. Personally, I think this stock shines most when ever so slightly underexposed and then lightly edited in post, although this isnt to say when exposed properly you wont get a pleasing image, you will. I took out that small green canister from my pocketand loaded it intotheFG. Looking forward to moving to it in the spring However only a few rolls left But regularly use Superia 400. I don't use Olympus, mainly Canon 35mm. I generally expose at least 320 of more and get some great results, even shot it at 200 and have had no problems. Most negative films work well with overexposure. Aweek later I picked up the prints from the local Costco and I couldnt believe my eyes. And though there are pricier, more technically advanced options out there, I still trust Fuji Superia to show me light in the darkness, and color in the black-and-white.

Hands down, Superia 200 over 400: lower contrast, finer grain, reasonable saturation. But regularly use Superia 400. I like that! Photography was a new friend, so new thatId only developed a few rolls- nothing special, just some cheap film. The coal-fired power plant at Herrenhausen. When shooting a 400 film at 200 do you let the lab know to compensate for the exposure or develop as is? I am, by my own admission a gear nut, but I dont buy gear just to test it or pixel peep. As I made my way to the bus stop, I passedconstant reminders of the neighborhoods quiet squalor in the shape ofabandoned shopping carts, dead or dying cars from decades past, and a breeze that carried with it the faint smells of gasoline and beer. The film makers have put all their improvements into their faster films in the last few years. All this being said, Superias biggest claim to fame is its color rendition, which is simply fantastic. A specific emulsion has often a much greater impact on the final image than a new piece of gear has. cheap. Advanced: Daily Deals; Brand Outlet; Help Fuji Superia Premium 400 is a Japan-only film. The usual places online sell that same three pack for $15 to $19 plus shipping (as of January, 2022, when Im writing this). Mel, often works as a PA on projects for me and I asked her to pick a stock to commit to for a consistent look across the BTS for this project, we agreed Superia would be a fun choice because we had never shot it before. Also some colours more saturated that others. Havent seen it locally in 3 4 years now, and while Ive still got a little bit, its bend mostly Superia 400 of the Kodak consumer films when I find a good deal on Amazon. It easily dominates the image, although the shed sits there rather distant. Just shot 4 rolls of 400 recently, its my go-to all-purpose color negative film and I love it. It also has a well-saturated color palette, leading to bright and bold colors. Enter your search keyword. There are sharper color films than Fujicolor 200. Unfortunately, Poelzigs creation has been sitting in a deep sleep for decades. My young, doe-eyed self was happy to captureanything remotely decent. All our Contributors have an ad-free experience for life.Sign uphere. 200 film is $4.99 and the 400 film is $5.99. I dont think anyone has ever waxed poetic like this about digital. Any pro lab with a tight C41 line shows quickly how dissimilar consumer and pro print films are.

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Finally, one of Superia 400 exposed as metered.